CURRICULUM VITAE Hanna Kaarina Järvinen, Ph.D. Fleminginkatu 7 A Helsinki Finland, EU gekko@iki.fi

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1 CURRICULUM VITAE Hanna Kaarina Järvinen, Ph.D. Fleminginkatu 7 A Helsinki Finland, EU gekko@iki.fi Education 2003 September Ph.D. University of Turku, Cultural History. Dissertation title: The Myth of Genius in Movement: Historical Deconstruction of the Nijinsky Legend (Annales Universitatis Turkuensis B 261, University of Turku 2003) 2001 September M.A. New York University, Performance Studies. Thesis title Stillness and Modernism in Vaslav Nijinsky s Jeux 1998 October M.A. University of Turku, Cultural History. Thesis title Rioting Theatre Space - Vaslav Nijinsky and the Birth of Ballet Modernism Professional appointments lecturer (50%), Performing Arts Research Centre, the Theatre Academy of the University of the Arts, Helsinki - teaching courses on academic writing, research skills, and the history of performing arts; member of communications and international teams as well as the publications board (Acta Scenica and Nivel series), editor of the Tutken opas and Tutke Guide study guides courses in the MA programmes of Dance and Choreography ( ), and Live Art and Performance Studies ( ) currently supervising two PhD theses at Theatre Academy, Helsinki & Aalto University, Helsinki; and two MA theses, Theatre Academy, Helsinki currently the examiner of two MA students at Theatre Academy, Helsinki & Aalto University, Pori unit moderator (with Sarah Gutsche-Miller) of the pre-conference workshop and Selma Odom Event "How historians use the press" at the SDHS special topics conference Sacre Celebration: Revisiting, Reflecting, Revisioning, York University, Toronto lectured on feminist performance art at Side Step Festival, Zodiak, Helsinki keynote address Academic Travesties: Performing Queer Theory at the Society of Queer Studies in Finland conference Pervo Parrasvaloissa, at Åbo Akademi, Turku Affiliated Researcher, Performing Arts Research Centre, The Theatre Academy, Helsinki (50%, funded by the Finnish Cultural Foundation) supervised one MA thesis, Theatre Academy, Helsinki invited speaker at the symposium Between Neoclassicism and Surrealism: Diaghilev s Ballets Russes in the Context of the Russian-French Connection, 1900s- 1920s at the Harriman Institute, Columbia University, New York lectured at the Academy of Fine Arts, Helsinki lectured with Karen Vedel in Studia Collegialia lecture series, Helsinki Collegium for Advanced Studies, University of Helsinki directed a seminar for Ph.D. students in Dance, Department of Research Development, Theatre Academy, Helsinki Honorary Visiting Research Fellow, School of English, Performance and Historical Studies, De Montfort University, Leicester, UK (lectured with Michael Huxley and Ramsay Burt on modules on dance history and contemporary European performance)

2 lectured for faculty and Ph.D. students at the School of Performance and Cultural Industries, University of Leeds, UK Research Fellow, Helsinki Collegium for Advanced Studies, University of Helsinki; member of Visitors Committee (3 years); lectured (affiliation) one postgraduate course per annum at the Department of Theatre Studies, University of Helsinki lectured for Ph.D. students at Palmenia Centre for Continuing Education, University of Helsinki lectured for MA students at Performance Studies, The Theatre Academy, Helsinki lectured on the epistemology of dance and commented on the papers by the members of the Academy of Finland research project Challenging the Notion of Knowledge, The Theatre Academy, Helsinki lectured at the School of Theatre and Dance Pedagogy, The Theatre Academy, Helsinki chaired a panel discussion at Kuopio Tanssii ja Soi, Kuopio Dance Festival lectured on dance history for BA students at the Department of Dance, Turku Polytechnic keynote address, conference on queer studies at the University of Turku lectured on dance history for MA students at the School of Cultural Production and Landscape Studies, University Consortium of Pori project secretary employed for writing a centre for excellence proposal on behalf of the School of History, University of Turku lecturer on the methodology of historiography for MA students, lecture series on use of images as historical source materials, supervised MA thesis seminar in English for the Baltic Sea Region Studies programme and the School of History, University of Turku , taught academic writing for BA students at the Department of Media and Communication Studies, Turku Polytechnic lectured on dance history for BFA students at the Department of Dance, Turku Polytechnic instructed BA students in writing their theses, acted as examiner at the Department of Media and Communication Studies, Turku Polytechnic , , 5.6., 7.8. lectured on the cultural history of character dances for dance professionals at the Department of Continuing Education/Dance, Turku Polytechnic as project secretary, wrote the department s self evaluation for the national evaluation of research and teaching of media studies, the Department of Media and Communication Studies, Turku Polytechnic as project secretary wrote the proposal for a urban research coalition to the European Union Fifth Framework Programme, City of Turku edited the English study programme of the Department of Cultural History, University of Turku acted as a freelance arts critic (media arts, photography, dance) for Turun Sanomat newspaper Scholarships and grants 2011 Finnish Cultural Foundation, research grant (project director) for 12 months (24 months as 50% researcher) 2010 Kone Foundation grant for translating André Lepecki s Exhausting dance 2010 Alfred Kordelin Foundation grant for translating Lepecki s Exhausting dance

3 2010 Finnish Cultural Foundation, research grant (project director) for 6 months 2007 Ella och Georg Ehrnrooths Stiftelse, funding for research in the United Kingdom 2004 Ella och Georg Ehrnrooths Stiftelse, post-doctoral research grant (declined) 2004 Academy of Finland post-doctoral fellowship (declined) 2003 Turku University Foundation, funding for dissertation printing costs 2002 Jenny and Antti Wihuri Foundation, 12 month research grant 2002 Central Committee for the Arts in Finland, conference travel grant 2001 Turku University Foundation, conference travel grant 2001 Finnish Cultural Foundation, Eeva Rauhankallio endowment, one year s research grant for studies in the United States 2000 Finnish Cultural Foundation, one year s research grant for studies in the United States ASLA Fulbright Graduate Grant for studies in the United States 1995 Erasmus student exchange grant Prizes and awards 2004 University of Turku, Faculty of Humanities Ph.D.of the Year 2003 Duties as academic expert member of the Board of Directors of The Society of Dance History Scholars member of the board of the Theatre Research Society in Finland, chair member of Live Art and Performance Studies MA programme steering committee deputy member of the Executive Committee of the Performing Arts Research Centre, from September 2012 onwards full member of the Executive Committee of the Performing Arts Research Centre deputy member of the Research Committee of the Theatre Academy Currently supervising one PhD student, Per Roar Thorsnes (choreography), at the Theatre Academy, Helsinki and one student, Katri Lassila (photography) at Aalto University, Helsinki currently supervising two MA theses, Sasa Rajisic (Live Art and Performance Studies) and Heidi Suur-Hamari (dance) examiner for the MA thesis of Katariina Mylläri (Live Art and Performance Studies) and Ismo-Pekka Heikinheimo (Visual Culture, Aalto University) Spring term 2009 supervised the MA thesis of Henna-Riikka Nurmi (dance pedagogy) at Theatre Academy, Helsinki editor in RUUKKU - Finnish Journal of Artistic Research History editor for SQS Journal of the Society of Queer Studies in Finland May 2013 external examiner of a research project for The Swedish Research Council Peer reviews for the forthcoming Festschift Egil Bakka; and Ariès ja historian salaisuus (Historia mirabilis 10); as well as Dance Research Journal; Nordic Journal for Dance; Journal of the History of Sexuality; Liisa Ikonen, Hanna Järvinen, Maiju Loukola (ed.): Näyttämöltä tutkimukseksi: Esittävien taiteiden metodologiset haasteet - From the Stage to Research: Methodological Challenges in Performing Arts. Näyttämö ja tutkimus 4, Teatterintutkimuksen seura 2012; Marja Andersson, Anu-Hanna Anttila ja Pekka Rantanen (ed.): Kleio ja sen sisko: Historiallisen sosiologian lähtökohdat ja lähestymistavat. Historia mirabilis 4, Turun yliopisto 2005

4 Memberships International Society for Cultural History NOFOD Nordic Forum for Dance Research auditor for accounts Helsingin Tutkijanaiset Helsinki Women Researchers Teatterintutkimuksen seura ry The Theatre Research Society in Finland chair; member of the board 2005, FIRT/IFRT La Fédération internationale pour la recherche théâtrale The International Federation for Theatre Research Choreography and Corporeality working group Suomen Queer-tutkimuksen Seura - the Society of Queer Studies in Finland The International Association for Philosophy and Literature SHDS The Society of Dance History Scholars member of the Board of Directors Interdisciplinary Approaches to Nineteenth-Century Dance working group; convenor for the 2013 meeting The Finnish Union of University Researchers and Teachers 2001, CORD The Congress for Research on Dance member of several networks (Kulttuurintutkimus, Esitystutkimus, Modernin kohtaaminen 1800-luvulla) Conference papers "Balettimestarista tekijäksi: Miten tanssija jäi koreografin jalkoihin?" (From ballet master to choreographer: how choreographers overshadowed dancers?) Teatterintutkimuksen seuran kevätpäivä, Teatterimuseo, Helsinki "The Russian Reception of Le Sacre du Printemps, 1913." SDHS special topics conference Sacre Celebration: Revisiting, Reflecting, Revisioning. York University, Toronto, "Representaatiosta performanssiin - historian esittämisestä." (From representation to performance: on performing history). Esitystutkimuksen verkoston tutkimustapaaminen, Tieteiden talo, Helsinki "Kinaesthetic Empathy Reflected." Dance through the Looking Glass: An International Conference on Dance and Moving Bodies. University of Ghent, Belgium "Tanssi valokuvan ja toden välillä." (Dancing Between Photography and Reality.) Nordic Forum for Dance Research (NOFOD) Finnish branch meeting, Theatre Academy, Helsinki "The Other's Masculinity - Representations of Russian Ballet Dancers in the Twentieth Century." Meanings and Makings of Queer Dance. Congress on Research in Dance (CORD) special topics conference, University of Michigan at Ann Arbor, Michigan Historian ja esitystutkimuksen menetelmistä. (On Methods of History and Performance Studies) Miten tutkia tanssia - Tanssintutkimuksen metodologisia haasteita ja mahdollisuuksia. NOFOD Finnish branch meeting, Department of Etnomusicology of University of Tampere, Pispalan sottiisi festival, Tampere Representaatiosta performanssiin Historian esittämisestä. (From Representation to Performance - On (Re)presenting History.) Minun esitykseni - Esitystutkimuksen verkoston tutkimustapaaminen, Tieteiden talo, Helsinki Performing, remembering, researching dance: a trio. Shift presentation with Anne Makkonen and Jaana Turunen at Camillo 2.0 Performance Studies international (PSi) conference at Utrecht, the Netherlands

5 Arcadian Space: Images of Early Twentieth-Century Modern Dance 10 th International NOFOD conference, Odense, Denmark "Academic Travesties: Performing Queer Theory" keynote address, Pervo parrasvaloissa conference, Åbo Akademi, Turku Speaking, moving, dance: Incorporated language in practice and research lecturedemonstration with Anne Makkonen at the Embodiment of Authority conference, Sibelius Academy, Helsinki What Remains?: Getting to the Past Body. Research paper discussed at the NOFOD Finnish colloquium, Theatre Academy, Helsinki, The Times Past: Nostalgia in Early Twentieth-Century Dance. Cultures of Modernity, 19 th World Congress of the International Federation for Theatre Research (IFTR), Munich Bodies Past and Present: Dance as a Cure for Modernity Paper discussed at the Choreography and Corporeality working group, 19 th World Congress of the IFTR, Munich Can We Dance History? Joint paper with Anne Makkonen at the Annual Conference of the International Society for Cultural History, University of Turku, Can We Dance History?: The Presence of History in Dance Practice. Lecturedemonstration with Anne Makkonen at Dance History: Politics, Practices and Perspectives, Society for Dance Research symposium, University of Roehampton, Teaching Past Dance in the Present workshop presentation at the NOFOD Finnish colloquium, Theatre Academy, Helsinki, Failed Impressions: Diaghilev s Ballets Russes in America, Paper discussed at the Choreography and Corporeality working group, 18 th World Congress of IFTR, Lisbon Dance of the Past in the Present: Teaching a Metahistory. Global Perspectives on Dance: Research and Pedagogy, CORD Special Conference, De Montfort University, Leicester, Tableau Chorégraphique - Affective Stillness in L'Après-midi d'un Faune. Between Neoclassicism and Surrealism: Diaghilev s Ballets Russes in the Context of the Russian-French Connection, 1900s-1920s The Harriman Institute, Columbia University, New York, Absence of their presence: on the epistemology of past corporeality. 9 th International NOFOD Conference: Dance Movement Mobility, University of Tampere, Tampere Historicising Kinaesthesia and Perception. Kinesthesia and Motion Conference, University of Tampere, Tampere Looking at Loïe, Missing Modernity: A Metahistory of the Argument about the Great American Pioneers of Modern Dance. Looking Back/Moving Forward 31 st Conference of the Society of Dance History Scholars (SDHS), Skidmore College, Saratoga Springs What Remains: Getting to the Past Body. Research Methodologies: Embodiment and the study of cultural and artistic practices, symposium at the Helsinki Collegium for Advanced Studies, Helsinki (conference co-arranger) Some Steps Towards a Historical Epistemology of Corporeality. Re-Thinking Practice and Theory/Repenser pratique et théorie, a joint conference of CORD & SDHS at Le Centre national de la danse, Paris Muistista ja Materiasta. (On Memory and Matter). NOFOD Finnish branch seminar, The Theatre Academy, Helsinki

6 Rethinking the corporeal sensorium: kinaesthesia and proprioception. Amsterdam School for Cultural Analysis (ASCA), 10 th ASCA International Workshop "Inside Knowledge: (Un)doing Methodologies, Imagining Alternatives", University of Amsterdam, Amsterdam Fans, fawns and fauns: Ballet stardom, dancing genius and the queer afterlife of Vaslav Nijinsky. History of Stardom Reconsidered: The Inaugural Conference of the International Institute for Popular Culture, University of Turku, Turku Self Unfinished: Valmistumaton minä, valmistumaton teos. ( Self Unfinished: Unfinished self, unfinished work. ) Research Colloquium of the Finnish Society of Aesthetics, The Sibelius Academy and the National Doctoral School of Performing Arts, Helsinki Imperial(ist) Russian Ballet: Western and Russian Views, c Global vs. Local: 15 th World Congress of IFTR, Helsinki Incorrect Images of the Empire: Ballets Russes in Russian Press Grounding Moves: Landscapes for Dance, 29 th Conference of SDHS, The Banff Centre, Calgary Kinaesthesia and Synaesthesia: Responses to Dance Modernism in Vaslav Nijinsky s choreography Le Sacre du Printemps (1913). 20 th International Congress of Historical Sciences, Sydney Some notes on the ontology of choreography. Chiasmatic Encounters: The 29 th Conference of the International Association for Philosophy and Literature, Helsinki Dance History: A Narrative Without Words? Travelling Concept of Narrative Symposium, Helsinki Collegium for Advanced Studies, Helsinki Technical Ability, Virtuosity and Genius A Historical Perspective on Dance Technique and Aesthetics. Embodying Ethics and Politics in Dance Conference, Theatre Academy, Helsinki Ihan mahdoton homo: Vaslav Nijinsky ja seksuaalisuuden kulttuurisidonnainen määrittyminen. (Impossibly Gay: Vaslav Nijinsky and the cultural specificity of sexuality) Keynote address at Pervot pidot Lesbo-, homo- ja queer-tutkimusseminaari, Turun yliopisto, Turku Performance and historiography. History in Words and Images: Conference on Historical Re/Presentation, University of Turku, Turku Jeux: Stillness, Nijinsky and the Modernist Paradigm. Dance and the City: Urban & Urbane, 25 th Conference of SDHS, Temple University, Philadelphia The Russian Dancing: Vaslav Nijinsky in Western Imagination. Transmigratory Moves: Dance in Global Circulation, 34 th CORD, New York University, New York Populaaria vai korkeakulttuuria? Tanssin paikka 1900-luvun alun eurooppalaisessa kulttuurimaisemassa. (Popular or high? The place of dance in early-twentieth-century European cultural landscape.) Academy of Finland Culture 2001 Programme Main Event, Mediakeskus Lume, Helsinki Rekonstruktion aika menneen ja nykyisen kohtaaminen teatteritilassa. (The Time of reconstruction past and present encounter in theatrical space.) History and Time Conference, University of Turku, Turku In addition, have moderated or chair panels in dozens of conferences, from PSi 2011, FIRT 2010 and CORD 2009 to smaller local seminars and conferences such as the Feminism and Embodiment conference arranged by Sara Heinämaa at the Helsinki Collegium for Advanced Studies 2007

7 LIST OF PUBLICATIONS Hanna Kaarina Järvinen, Ph.D. Fleminginkatu 7 A Helsinki Finland, EU gekko@iki.fi Articles in peer-reviewed journals "'Great Horizons Flooded with the Alien Light of the Sun': Le Sacre du Printemps in the Russian context." Forthcoming in Dance Research 31:1, Summer 2013 Ihastusta ja pahastusta: Ballets Russes -ryhmän vastaanotosta venäläisessä lehdistössä ( Admirable or abominable: On the Russian Reception of the Ballets Russes, ) Idäntutkimus 4/2011 Failed Impressions: Diaghilev's Ballets Russes in America. In Dance Research Journal 42:2, Winter 2010 Critical Silence: The Unseemly Games of Love in Jeux (1913). Dance Research 27:2, Winter 2009 Dancing without Space On Nijinsky's L'Après-midi d'un Faune (1912) Dance Research 27:1, Summer 2009 The Russian Barnum : Russian opinions on Diaghilev s Ballets Russes, Dance Research 26:1, Summer 2008 Kinaesthesia, Synaesthesia and Le Sacre du Printemps: Responses to Dance Modernism. The Senses and Society 1:1, March 2006 Koreografi, koreografia, koreologia ja notaatio. ( The choreographer, choreography, choreology and notation. ) Ennen & nyt 1/2006, Articles in peer-reviewed anthologies "'Dancing Back to Arcady' On Representations of Early Twentieth-Century Modern Dance." In Susanne Ravn and Leena Rouhiainen (ed.): Dance Spaces: Practices of Movement. University of Southern Denmark Press, Odense 2012 (with Anne Makkonen) Speaking, moving, dance: Incorporated language in practice and research. In Liisa Ikonen, Hanna Järvinen & Maiju Loukola (ed.): Näyttämöltä tutkimukseksi: Esittävien taiteiden metodologiset haasteet - From the Stage to Research: Methodological Challenges in Performing Arts. Näyttämö ja tutkimus 4, Teatterintutkimuksen seura 2012, Historicizing aesthetic knowledge and perception in dance: kinaesthesia, proprioception and past corporeal knowledge. In Carolyn Birdsall, Maria Boletsi, Itay Sapir and Pieter Verstraete (ed.): Ways of Knowing: (Un)doing Methodologies, Imagining Alternatives in the Humanities. Cambridge Scholars Publishing, Newcastle- Upon-Tyne 2009 Rekonstruktion aika: tanssin menneisyyden kohtaaminen teatteritilassa. ( Time, temporality and reconstruction: encountering past dance in theatrical space. ) Pia Houni, Johanna Laakkonen, Heta Reitala & Leena Rouhiainen (ed.) Liikkeitä näyttämöllä. Näyttämö ja tutkimus 2, University of Helsinki 2006 Sukupuoliroolit ja venäläinen tanssiperinne Ballets Russes'n versiossa baletista Giselle. ( Gender and Russian dance tradition in the Ballets Russes Giselle. ) Lahtinen, Anu (ed.): Tanssiva mies, pakinoiva nainen: Sukupuolten historiaa. Historia mirabilis 1, Turun historiallinen yhdistys, Turku 2001

8 Articles in international conference proceedings Arcadian Space: Images of Early Twentieth-Century Modern Dance In Susanne Ravn (ed.): Spacing Dance(s) - Dancing Space(s): Proceedings of the 10 th International NOFOD Conference in Odense, Denmark 2011 (with Anne Makkonen) Can We Dance History?: The Presence of History in Dance Practice. In Helen Minors (ed.): Dance History: Politics, Practices and Perspectives, Society for Dance Research Conference Proceedings, Dance of the Past in the Present: Teaching a Metahistory. In Tresa Randall (ed.): Global Perspectives on Dance Pedagogy: Research and Practice, Congress on Research in Dance 2009 Conference Proceedings, CORD/University of Illinois Press, 2010 Absence of their presence: on the epistemology of past corporeality. In Leena Rouhiainen & Petri Hoppu (ed.): Dance Movement Mobility: Proceedings of the 9 th International NOFOD Conference, University of Tampere 2009 Looking at Loïe, Missing Modernity: A Metahistory of the Argument about the Great American Pioneers of Modern Dance. In Suzanne Jaeger (ed.): Proceedings for the Society of Dance History Scholars Conference 2008, SDHS 2009 Some Steps Towards a Historical Epistemology of Corporeality. Dena Davida (ed.): Proceedings for the Congress on Research in Dance and Society of Dance History Scholars Conference 2007, SDHS 2007 Fans, fawns and fauns: Ballet stardom, dancing genius and the queer afterlife of Vaslav Nijinsky. Kari Kallioniemi, Kimi Kärki, Janne Mäkelä and Hannu Salmi (ed.): History of Stardom Reconsidered. International Institute for Popular Culture, Turku 2007, Incorrect Images of the Empire: Ballets Russes in Russian Press Allana Lindgren (ed.): Proceedings for the Society of Dance History Scholars Conference 2006, SDHS 2006 Kinaesthesia and Synaesthesia: Responses to Dance Modernism in Vaslav Nijinsky s choreography Le Sacre du Printemps (1913). Martin Lyons (ed.): History in Global Perspective: Proceedings of the 20th Congress of Historical Sciences, Sydney, Australia 3-9 July 2005, Sydney 2005 Dance Technique and the Natural Genius. Eeva Anttila, Soili Hämäläinen, Teija Löytönen and Leena Rouhiainen (ed.): Ethics and Politics Embodied in Dance Proceedings. The Theatre Academy, Helsinki 2005, Performance and historiography. Hannu Salmi (ed.): History in Words and Images. Proceedings of the Conference on Historical Representation held at the University of Turku, Finland, September University of Turku 2005, The Russian Dancing: Vaslav Nijinsky in Western Imagination. Janice LaPointe- Crumb (ed.): Transmigratory moves: Dance in Global Circulation. Conference Proceedings of the Congress on Research on Dance, October 26-28, New York University, New York 2001 Monographs The Myth of Genius in Movement: Historical Deconstruction of the Nijinsky Legend. Annales Universitatis Turkuensis B 261, University of Turku 2003

9 Edited collections (with Liisa Ikonen and Maiju Loukola) Näyttämöltä tutkimukseksi: Esittävien taiteiden metodologiset haasteet - From the Stage to Research: Methodological Challenges in Performing Arts. Näyttämö ja tutkimus 4, Teatterintutkimuksen seura 2012, (with Kimi Kärki) Avaintekstejä kulttuurihistoriaan. (Key texts of cultural history.) Kulttuurihistoria Cultural History series 6, K&H, Turku 2005 Articles in other academic publications "Nijinsky." Biographical entry in Stephen Ross (ed.) The Routledge Encyclopaedia of Modernism, forthcoming in 2013 Stillness and Modernity in Nijinsky s Jeux (1913) Forthcoming in Discourses in Dance 4:2 (2013) Poliitikko ballerinana, baletti satiirina: viihdelehdet, yhteiskunnallinen keskustelu ja tanssitaide 1900-luvun alussa. ( The politician as a ballerina, ballet as satire: popular press, socio-political discussion and dance in the early 20 th century. ) In Sari Kivistö (ed.): Satiirikirja. SKS, Helsinki 2006 Le Dieu de la danse: Vaslav Nijinsky, koreografinen tekijyys ja luonnollinen nero. ( Le Dieu de la danse: Vaslav Nijinsky, choreographic authorship and natural genius. ) In Taava Koskinen (ed.): Nerokirja: Myytit, kultit, persoonat. SKS, Helsinki 2006 Vallan empiriaa: Michel Foucault: La Volonté de savoir (Tiedontahto). ( Empirical power: Michel Foucault: La Volonté de savoir.) In Hanna Järvinen & Kimi Kärki (ed.): Avaintekstejä kulttuurihistoriaan. Kulttuurihistoria Cultural History series 6, K&H, Turku 2005 L'Après-midi d'un Faune: Tanssia ilman tilaa. ( L'Après-midi d'un Faune: dance without space.) In Riitta Laitinen (ed.): Tilan kokemisen kulttuurihistoriaa. Kulttuurihistoria - Cultural History 4. K&H, Turku 2004 Dokumenttielokuva, fiktio ja historia: Tapaus Nijinsky. ( Documentary film, fiction and history: The Nijinsky case. ) WiderScreen 4/ Historiografia ja tanssintutkimus. ( Historiography and dance research. ) In Kimi Kärki (ed.): 30-vuotias tunteilee. Turun yliopiston kulttuurihistorian oppiaineen juhlakirja. Turun yliopiston historian laitos, Turku 2002 Kitsch ja korkeakulttuuri. ( Kitsch and high art. ) In Henri Terho (ed.): Hetkiä Historiassa. Kulttuurihistoria - Cultural History 2. Kulttuurihistoria, Turku 2002 Yleisön katse neromyytin luojana: Poststrukturalistinen tulkinta Ballets Russes - myytin synnystä. ( The gaze of the audience creating the myth of genius: A poststructuralist interpretation of the birth of the Ballets Russes story) In Kari Immonen, Ritva Hapuli, Maarit Leskelä & Kaisa Vehkalahti (ed.): Modernin lumo ja pelko: Kymmenen kirjoitusta lukujen vaihteen sukupuolisuudesta. SKS, Helsinki 2000 Book reviews "Monipuolinen teos taiteiden opettamisesta." (A multifaceted collection on teaching art.) Review of Eeva Anttila (ed.): Taiteen jälki: Taidepedagogiikan polkuja ja risteyksiä. In Liisa Ikonen, Hanna Järvinen & Maiju Loukola (ed.): Näyttämöltä tutkimukseksi: Esittävien taiteiden metodologiset haasteet - From the Stage to Research: Methodological Challenges in Performing Arts. Näyttämö ja tutkimus 4, Teatterintutkimuksen seura 2012,

10 Akim Volynsky: Ballet s Magic Kingdom: Selected Writings on Dance in Russia, Dance Research 29:2 (2011) Sjeng Scheijen: Diaghilev: A Life. In Dance Research 28:2 (2010) Charles R. Batson: Dance, Desire, and Anxiety in Early Twentieth-Century French Theater: Playing Identities. In Dance Research 28:1 (2010) Rhonda K. Garelick: Electric Salome: Loie Fuller s Performance of Modernism. and Ann Cooper Albright: Traces of Light: Absence and Presence in the Work of Loïe Fuller. In Dance Research 28:1 (2010) Liisa Byckling: Keisarinajan kulisseissa: Helsingin venäläisen teatterin historia SKS, Helsinki In Laura Gröndahl, Teemu Paavolainen & Anna Thuring (toim.) Näkyvää ja näkymätöntä. Näyttämö ja tutkimus 3, Teatterintutkimuksen seura, Helsinki 2009 Kauhuromantiikan rantautuminen Suomeen. (The Gothic Romance Arrives to Finland) Review of Jukka Sarjala: Salonkien aaveet: Varhaisin kauhuromantiikka Suomen kirjallisuudessa. SKS, Helsinki Avain 4/2008 Satunnaisotoksia venäläisten taitelijoiden Suomi-kuvista. ( Random samples of Russian artists images of Finland. ) Review of Helena Soini: Kultainen kuherruskuukausi. Suomen kansallistaiteilijoiden vaikutus Venäjän taiteeseen. Suom. Kristiina Lehmus, Ajatus Kirjat, Helsinki Agricola Katsauksia käytyihin keskusteluihin historiasta. ( Reviewing past discussions on history. ) Review of Sami Louekari and Anna Sivula (ed.): Historioita ja historiallisia keskusteluja. Turun historiallinen yhdistys ry., Turku Agricola Review of Johanna Valenius: Undressing the Maid: Gender, Sexuality and the Body in the Construction of the Finnish Nation. Scandinavian Economic History Review vol. LII: 2-3, 2004 Epätasainen avaus roolipelitutkimukseen. ( Uneven openings into research of role playing games. ) Review of Markus Montola and Jaakko Stenros (ed.): Beyond Role and Play: Tools, toys and theory for harnessing the imagination. Ropecon ry, Helsinki Kulttuurintutkimus 4/2004 Historia uusiksi. ( Rewriting history. ) Review of the National Geographic Documentary Beyond the Movie: The Lord of the Rings: The Return of the King. WiderScreen 2/ Suurmieselämäkerta lajityypistä kritiikittömästi pitävälle. ( Biography of a great man for uncritical lovers of the genre. ) Review of Janne Gallen-Kallela-Sirén: "Minä palaan jalanjäljilleni": Akseli Gallen-Kallelan elämä ja taide. Otava, Keuruu Agricola Nuoren Suomen nationalistiset kuvat. ( Nationalistic images of Young Finland movement. ) Review of Riitta Konttinen: Sammon takojat: Nuoren Suomen taiteilijat ja suomalaisuuden kuvat. Otava, Keuruu Agricola Katsauksia venäläiseen identiteettiin. ( Reviewing Russian identity. ) Review of Chris J. Chulos and Johannes Remy (ed.): Imperial and National Identities in Prerevolutionary, Soviet, and Post-Soviet Russia. SKS, Helsinki Kulttuurintutkimus 1/2004 Poststrukturalismia ei ihan aloittelijalle. ( Poststructuralism for not-quite-beginners.) Review of Michel Foucault: Foucault/Nietzsche. Tutkijaliitto, Helsinki Agricola,

11 Translations and other relevant publications (with Kai Lehikoinen) "Taide kohtaa tutkimuksen rahoittajat." 13taide 1/2013, University of the Arts, Helsinki Esitys ja liikkeen politiikka. Translation of André Lepecki's Exhausting Dance: Performance and the politics of movement. Kinesis 3, Like, Helsinki Structure and Annotation Guide. Performing Arts Research Centre, the Theatre Academy, web-based materials, 2012 Rakenne ja viittausopas. Esittävien taiteiden tutkimuskeskus, Teatterikorkeakoulu, webbased materials, 2012 "Tanssi taipuu puheeksi." (Interview with Susan Foster) Teatteri & Tanssi + Sirkus 4/2012 "Susan Leigh Fosterin neljä ruumista." (Interview with Susan Foster) Teatterikorkea 1/ Translation of the Performing Arts Research Centre Postgraduate Guide, Postgraduate%20guide.pdf Translation of Karen Vedel s article Kristian Smedsin Tuntematon ja muita lavastettuja skandaaleja kansallisissa teattereissa in Susanne Dahlgren, Sari Kivistö, Susanna Paasonen (toim.): Skandaali! Suomalaisen taiteen ja politiikan mediakohut. Helsinki-kirjat, Helsinki 2011 Sergey Diaghilev, Magnus Enckell and Albert Edelfeldt. Entries for Bruce F. Adams (ed.): Modern Encyclopedia of Russian, Soviet, and Eurasian History. Academic International Publications, USA 2007 Lahja Salviander ( ). Matti Klinge (general ed.), Martti Häikiö (ed.): Suomen kansallisbiografia 8. SKS, Helsinki 2006 Vad är kritikens syfte? ( What is the purpose of dance criticism? ) Nutida dans #22, juni 2004 Tuomas Enbuske: "Nerous." Yle radio 1, Keskustelussa Tuomas Enbuske (toimittaja), Pekka Hako, Hanna Järvinen, Merita Petäjä Epookki: Nijinsky, Kevätuhri ja moderni. (Epoch: Nijinsky, the Rite of Spring and the modern.) Yle Radio1, and Skandaali ei hätkäytä. ( The Scandal stirs not. ) Turun Sanomat Keväturhi oli skandaali Pariisissa ( The Rite of Spring was a scandal in Paris.) Helsingin Sanomat Nijinsky-myyttiä murtamassa. ( Breaking the Nijinsky myth. ) Turun Sanomat Tanssiva mies. ( The male dancing. ) Radio Aurora Kaksi kuvausta skitsofreniasta. ( Two views on schizophrenia. ) Tanssi-lehti 3/2000 Nijinskymania - Mietteitä neroudesta. ( Nijinskymania reflections on genius. ) Tanssi-lehti 2/2000